What can $120 million buy? A mansion? A private island? A rare comic book collection? The numbers are staggering, yet in the world of masterpieces, a price tag like this reframes value itself and sparks conversations about how art is valued, owned, and displayed.
The Scream, painted in 1895 by artist Edvard Munch, stands as one of the most recognizable works of art worldwide. The painting’s previous owner, a wealthy businessman, decided to place it into the auction stream at Sotheby’s, inviting a global cadre of collectors to weigh in.
Sotheby’s anticipated a bid near 80 million, a figure huge enough to turn heads, yet the eventual winning bid of 120 million from an anonymous buyer rewrote the record books and triggered a chorus of astonished reactions from those present. No wonder the room erupted in applause as the gavel fell.
What makes this Scream unique among the four versions is the poem inscribed on the frame by Munch, explaining the inspiration behind the image. The other three versions are held by the painting’s former owner, adding a layer of historical intrigue to the sale.
The buyer, identified only as Anonymous, joins a list of high-profile purchasers who invest in culturally significant images that endure beyond the moment. The purchase invites debate about the balance between monetary value and cultural significance, and hints at the ongoing allure of Munch’s most famous creation.