Victoria Duffield is topping charts, wowing audiences and taking Canada’s music, dance and acting scene by storm. But the breakout star is more than just a triple threat; she writes all of her own songs too. Fresh off the release of her debut album Shut Up and Dance and a recent Canadian tour with BIG TIME RUSH and Cody Simpson, this interview explores singing, touring and everything in between.
What sparked your love for singing in the first place?
Duffield explains that she has always sung around the house and knew she wanted to entertain. She began dancing at age two and started performing Broadway songs in competitions at seven. From the start, she wanted to fuse singing with dancing, turning her early passions into a growing dream of performance on stage and screen.
What was it like hearing one of your songs on the radio for the first time?
It felt incredibly cool and unforgettable. That moment is something many fans can relate to, and it became a powerful reminder that people could hear her music beyond her own circle. It also reinforced the idea that her songs could reach a wide audience and connect with listeners who tune in from all over the country.
You have done a fair amount of acting. What drew you to drama?
Duffield describes a somewhat fluky entry into acting. It wasn’t a planned move; through friends and an agent, an opportunity arose. Being an outgoing person, she embraced the experience and discovered a heartfelt passion for drama that only grew with time.
Now, if you had to choose between being an actress or a singer, which would you pick?
Right now the focus is on singing due to the current momentum and the upcoming album release. Acting remains a strong companion in her career, kept on the side so that singing can take the lead. She believes the two arts can support each other, letting one uplift the other as her name grows in music and performance.
What was the process like producing your debut album Shut Up and Dance?
The process involved substantial collaboration. Duffield co-wrote songs with various writers, selecting eight standout tracks. She also played a significant role in the album’s design, ensuring every detail felt personal. She is eager for fans to hear the work and share their reactions to the project that represents her artistic voice.
Your school average is said to be around 99 percent. How do you stay on top of academics while pursuing a demanding schedule?
She answers with a no-nonsense attitude: there is no sleep, just hard work. Her philosophy is to go all in on every task, finish what she starts and feel the satisfaction of a job well done. This relentless drive helps her balance schoolwork with the rigors of a rising performing career.
What was it like recording a duet with Cody Simpson, They Don’t Know About Us?
Duffield describes meeting Cody during the MMVAs and recording their parts separately before sharing the stage. She praises him as kind, talented and supportive. The experience of collaborating with him led to an even greater excitement about touring together in September and performing the duet live for audiences nationwide.
Why did you decide to record French versions of some of your songs?
She emphasizes the importance of recognizing the French market and showing appreciation for fans there. Duffield is learning French in school and sought coaching to improve her pronunciation. The goal was to connect with Francophone listeners and demonstrate willingness to extend her music to new audiences.
What are you most excited about on the BIG TIME RUSH tour?
Duffield looks forward to performing in large arenas, especially after having attended concerts at the Rogers Arena in Vancouver. The prospect of playing in such venues is exhilarating and a major milestone in her live performance journey.
What comes next after the tour?
She envisions momentum continuing to grow for her debut album. The tour should boost interest in her music, potentially leading to another tour or additional promotional opportunities as she expands her reach and solidifies her presence in the music world.