Fresh from the release of his debut album Hold On Til the Night, Greyson Chance shows no signs of slowing down. A conversation with him occurred before the record dropped, and this is what the fourteen-year-old star had to say about the moments after its release.
Asked how it felt to have the album finished and out, Chance called the experience truly incredible. He cited messages from fans in Canada praising the record and admitted he hadn’t realized it had already released there. Seeing the work reach audiences beyond his expectations felt wonderful after a year of effort.
When asked about his favorite track, the artist named the closing song Take a Look at Me Now, a piece he wrote himself. He described the title as capturing the theme — confronting fears with a bold, look at me now attitude that gives the song an edgier edge than the others.
On whether the record signals a shift from internet fame to solid footing as a musician, Chance suggested it isn’t a simple move. He acknowledged moments of insecurity and said that the song helps him quiet the doubts whenever they arise.
When reflecting on the journey, he noted how a mere ten minutes of recording can become a single. The lesson, he said, is to slow down and let the music settle before making impulsive choices.
Regarding challenges in the studio, he admitted there were tense moments. He contributed more than half of the songs and enjoyed working with the producers. They would sometimes clash over phrasing, each defending their line, but in the end the music found its course.
Describing the writing of Little London Girl, he said it’s one of his favorites. The track came together in London, where he rewrote the offered chorus to celebrate the city instead of an American theme. He described London as vibrant and worldly, full of rock influences — leather-clad girls, rock tees, and iconic bands — an atmosphere that fit the story of a wild night with a London girl. He recalled the moment, saying he preferred London-inspired lines over the original idea, and even quoted a line that evokes the night’s mood: I shut the door, you take me to Camden town; Kinks and the Rolling Stones.
Turning to the Cody Simpson tour, Chance called the period a lot of fun. He admits there were nerves about sharing a bus for six weeks, but the partnership clicked. Shows filled venues, and the memories remain vivid as they reflect a great touring experience.
Memorable moments multiplied on the road. He remembers specific shows where everything felt right, and laughs about the time Simpson brought his sister and brother along, unleashing silly string on the crew at a store run — a playful memory that stays with him.
Ellen DeGeneres played a significant role throughout the process, serving as the executive producer. Chance described her as a dear friend who helped open doors and assemble talented collaborators, making the journey both professional and personal.
On comparisons to Justin Bieber, Chance noted that the chatter has cooled since the early days. He emphasized that the music now speaks for itself while still admiring Bieber and joking about a shared hairstyle.
With the album out, the focus shifted to promotion and touring. He joked about a grueling schedule and little sleep, but remained excited for the road ahead and the chance to perform more shows in the near future.